In the spirit of Susan Sontag's Illness as Metaphor or Jonathan Lethem's Fortress of Solitude, Andy Brown's first novel follows a sibling relationship told through vignettes, each story centered around the removal of a mole. From this premise, Brown's novel expands the associations of moles from skin disease, to the burrowing animal, to secret societies and espionage, to tell the story of familial dysfunction, culture-jamming, eco-terrorism, and regret in the lives of young adults in the 1990s.

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